Imperial Mindset
A visual representation of Russian colonialism, through Prokudin-Gorsky’s early colour photography in Ukraine.
Using the distinctive methods of Tsarist colour photographer Sergei Prokudin-Gorsky, I will explore the modern day legacy of Russian colonial thought.
How does the legacy of past Russian dominance haunt the former Empire today?
What was the nature of Russian colonialism, and how can it be seen in Ukraine today?
Can colonial attitudes in Russia explain the side support for the current war in Ukraine?
The war in Ukraine is constantly seen and justified through the lens of history, but the cultural understanding of that history is rarely discussed and widely misunderstood in the West. This project aims to put the modern war into its true historic context, exploring the way in which the past is understood in Ukraine, the West and Russia.
By using the distinctive aesthetic of Prokudin-Gorsky, I can draw a link back to the Tsarist view of the world, subverting this Russian gaze to look at the region so tragically affected by the continuation of this thinking. Through its controlled and propagandised narratives and its distortions of historical fact, Russia perpetuates a sense of cultural and racial superiority enabling them to fight a noble and holy war against the West that, three years in, we still struggle to understand.
The Colonial Mindset is crucial to understanding the cause of this war and key to foreseeing its future. It is vital also to understand the response and fears of its European neighbours. It is not Putin’s war: it is a mass phenomenon within Russian society and culture driven by a longstanding sensation of Imperial dominance.
Who was Prokudin-Gorsky?
Between 1904 and 1915, Sergei Prokudin-Gorsky perfected his pioneering colour photography process. Sponsored personally by the Tsar, he toured the Russian Empire creating images of the latest technological and infrastructure advances of the Empire, as well as ethnological images of urban and rural life, of khans and scruffy peasant farm workers and magnificent architectural wonders.
Through a modern lens - P-G looks at the Empire with an Imperial, Russian-centred gaze and mindset. The Empire comes to the unwashed, folk-cultured people and brings them railways and Russian churches. The local cultures' dress and customs are curiosities to be recorded, examined, and studied back in Moscow and St. Petersburg.
His own writings about his project confirm this colonialist viewpoint. He wanted the images to be used for the ‘study of the fatherland’ and to ‘arouse love for the motherland, interest in studying its beauties and inexhaustible riches, without which it is unthinkable to teach truly patriotic feelings to the youth.’ He writes at length about the natural and ethnographic wonders of Russia, citing areas of modern-day Poland, Ukraine (and Crimea), the Caucasus, as well as the quaint image of ‘Lapps and Pomors work(ing) in their traditional costumes’ in the far north. The heart of Russia and its culture goes unmentioned while these acquired territories hold the country’s cultural glories.
A committed Tsarist, he fled Russia on hearing the news of the Tsar’s murder and died in exile in Paris. He left behind an extraordinary and unique legacy of over 2,000 surviving colour images of pre-Revolution Russia which are stored in the Library of Congress in the USA.
Russian colonialism is rarely discussed in the West. In the former Empire, it is widely understood and referenced. I have had many conversations with friends and strangers who repeat the half-truths or lies that are put out from Moscow. The situation is seen through a partially understood history, often distorted by the Russian view of themselves. This project aims to set the modern Ukrainian struggle, and that of Russia’s other neighbours, in the true context of their history. The medium of Prokudin-Gorsky’s photography makes that apparent at a glance: it subverts this historic Russian lens to bring critical thought back to the narratives which are emanated from the seat of the modern Russian Empire.
Tsar Nicholas II instigated an ideology in the 19th century, which codified the nation’s values as defenders against the new French Revolutionary democracy: “Orthadoxy, Autocracy, Nationality”. The latter is hard to translate, but in modern terms is something between nationalism and a soulful understanding of cultural national identity. This ‘Official Nationality’ doctrine continued to hold sway until the limited democratic reforms just before the Russian Revolution. Apart from the few years after the Soviet collapse, from Ivan the Terrible to the present, Russia has never had a functional democratic system and for most of that time it openly resisted the democratic idea of people choosing their own destiny. Russia has always been at the centre of an Empire and it has always experienced state censorship and control of information; the people’s narrative has always been controlled.
The Russian invasion of Ukraine - first in 2014, then, more openly, in 2022 - has been entirely justified by official doctrine which has been taken up by the people, much as Prokudin-Gorsky keenly enthused in his own time for the benefits of autocratic imperialism.
This project will use his pioneering colour process to subvert this Russian lens on its former Empire. I will travel through Ukraine photographing themes and scenes of historical and current effects of Imperialist thought. It aims to deconstruct some of the colonial narratives spewing from Russia in the hope of showing it for what it is to those of us in the West who have never seen the symptoms of past colonialism from Russia.
The empires we are familiar with were maritime empires, so the Russian system looks superficially different and appears geographically homogenous. It makes some logical sense and lends credence to the official line of ‘brother nations’ in this region. Arguments about linguistic communities are hard to unpick without the knowledge of how the Ukrainian and Russian speaking communities developed. The claims of Nazis in Ukraine are impossible to unpick without understanding the Russian/Soviet perspective on WWII (The Great Patriotic War - a title which intrinsically references the Imperial ‘Patriotic War’) in which their perception of why they were fighting is very different from that of the other Allies. The fate of the Tartars is entirely lost in the other wartime noise.
The only overtly expansionist land empire we have seen in Europe within living memory was the Fascist Germany. The crimes are described as ‘uniquely’ horrific: it is impossible to replicate this level of evil and we are therefore immune from repeating their sins.
The Soviet Union portrayed itself as chosen by its member states’ people and it is hard for a modern outsider to recognise the extent of Russian control and influence and the obscene crimes of the Bolsheviks in establishing control of its satellite states. That was a state based on lies and which weaponised lies against and with its people, or subjects; modern Russia does the same and if these lies go unchallenged internationally, they colonise our own minds in a very small way to enable the full colonisation of their ‘near-abroad’ or ‘Ruskii Mir’ satellite regions and states.
In the UK and the West, the war in Ukraine is often presented as ‘Putin’s War’. Through centuries of conditioning, modern day repression and Russian nationalism, it is apparent that it is not. It is a war of Russia’s people, directed by their semi-legally elected leadership. The war is a direct result of Russia’s cultural mindset of national and racial superiority and its habit of control over its surrounding area through the use of force, coercion and cultural control.
You can see this widespread attitude by comparing the Wikipedia articles about the Circassian Genocide in English and Russian. The English version describes genocide and forced migration and murder. The Russian Wikipedia describes a benevolent effort of the Russian neighbours to rid the North Caucasus region of Ottoman slave trading and a ‘resettlement’ of the population to Turkey; Imperial control of the area was a mere byproduct of this generosity.
We will not see an end to the Cold War, Crimean War, Russo-Japanese wars or the modern-day war in Ukraine (including Crimea) or the (mostly) frozen conflicts in Abkhazia, South Ossetia/Sambochalo or Transnistria (where Russia continues to maintain total political hegemony and stations military forces) until the mindset of the Russian people comes to understand that they are not ethnically or culturally superior to their neighbours and their autonomous neighbours have the rights of sovereign countries.
L'Eglise Orthodoxe de Saint Anne à Exeter, avec le Rév. Dr. Brandon Gallaher // Вход в храм Святой Анны в Эксетере
Brandon is a co-author of "A Declaration on the "Russian World" (Russkii Mir) Teaching", a powerful document which has attracted over 1500 signatures, many of which are from Orthadox theologians. It is published by the Volos Acadamy.
It condemns the leaders of the Russian Orthadox Church (ROC) who are promoting this nationalist ideology, particularly their use of it to encourage and justify the war in Ukraine and to create division and damage within the wider Orthadox community.
Russkii Mir is a broad ideology centred on Russia's political, cultural and moral importance especially within a transnational Russian civilisation. This geographical area is based on a reimagined Holy Rus' - a precursor nation to Russia, Ukraine and the later Empire; it also encompasses anyone who speaks Russian language, or is ethnically Russian anywhere in the world. The ideology stands in contrast to the corrupt and corrupting West and the image of its modern, liberal (im)morality. These teachings have been accepted into both Church teachings as well as Russian Foreign Policy. (Photo 6 in this post)
Rev. Dr. Gallaher actively works to encourage ecumenical discussion between branches of Orthadoxy and interfaith dialogue, in part through his work with the Volos Foundation. He is a lecturer in Theology at the University of Exeter.
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Prokudin-Gorsky's body of work is peppered with ecclesiastical subjects: churches, monasteries, icons and relics. The Tsars maintained control of the Church by selecting bishops to a ruling Synod, in this way ensuring the Church backed the Tsar's policies.
As God's appointed representative on Earth, Orthadoxy was a fundamental pillar of the official ideology introduced by Tsar Alexander II: Orthodoxy, Autocracy, and Nationality.
As Prokudin-Gorsky's sponsor, his photographic themes were chosen to meet with the Tsar's personal approval and glorification of his imperial majesty.
რუსული ტიპები // Russian Types, Tbilisi
P-G recorded ethnographic subjects while documenting the Russian Empire. Dagestan had risen against Russian Imperial rule in 1878, and was brutally suppressed.
P-G makes these portraits about 30 years later with the eye of an Imperial visitor. The names of his subjects are not recorded - they are merely 'Types': typical examples of __.
Georgia was also part of the Russian Empire and a place P-G photographed extensively. Since the start of the war, thousands of Russians have emigrated to make new lives in Tbilisi. Foreigners settling here tread the amiguous line between being guests in the country and being modern-day imperialists themselves. This line is scrutinised ever harder for Russians who live as guests in their now-independent former Empire.
Featuring Anton and Natalie.
Anton works with @after_russia_org to provide a platform for Russian speaking people who are against the war to re-evaluate the Russian past and find a new post-Russia (post-Imperial) identity.
Natalie is a visual artist and animator.
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P-G himself became an émigré in Paris as he fled the violence and danger of the early Soviet Union. He died in exile.
The themes of Empire
Russia’s methods of Imperial control have been generally consistent through the ages. Prokudin-Gorsky covered several of them, sometimes as deliberate themes, sometimes as incidental traits in his images.





![Group of children. [Russian Empire]. Russian children sitting on the side of a hill near a church and bell tower in Belozyorsk, in the north of European Russia..jpg](https://images.squarespace-cdn.com/content/v1/675c9a1283b25235ec3e6e36/e12a9c8e-5ade-492e-8c67-103856ee6caa/Group+of+children.+%5BRussian+Empire%5D.+Russian+children+sitting+on+the+side+of+a+hill+near+a+church+and+bell+tower+in+Belozyorsk%2C+in+the+north+of+European+Russia..jpg)







![Saint Dalmat's hauberk and helmet. [Dalmatovo]..jpg](https://images.squarespace-cdn.com/content/v1/675c9a1283b25235ec3e6e36/2ad8eb2c-459c-4adc-be1b-af9ced85ec7e/Saint+Dalmat%27s+hauberk+and+helmet.+%5BDalmatovo%5D..jpg)





Imperial Mindset
On the enduring nature of Russian colonialism in the former Empire, through Prokudin-Gorsky’s photography in Ukraine
Prokudin-Gorsky was a Russian photographer creating some of the first colour images. He was personally sponsored by the Tsar to document the Empire between 1905 and 1915. He writes about the importance of indoctrinating the youth with ideals of Russian patriotism, focussed on the magnificence of Ukraine, Belarus and the Caucuses. His photography was intended to bind and unify a diverse Empire under Russian control.
This series will use his same photographic process.
The current conflict is overtly rooted in history. Putin references historical situations often when talking about his ‘Special Military Operation’, often distorted histories. Russia has been overtly under strongly and openly authoritarian rulers since medieval times and the current leadership and the war is generally considered to have a strong level of popular support by the general population of Russians.
Russian colonialism is poorly understood in the UK and West in general. The empires we are familiar with were maritime empires, so the Russian system looks superficially different and appears geographically homogenous.
Some very dense tomes have been written on Russian and Ukrainian history and on Russian colonialism. This series aims to illustrate the themes of this history to bring them to a wider audience. In so doing, it will look at the validity of Russia’s claims behind this war. I enter the project with the argument that this is not Putin’s war, but one waged habitually by the Russian population through their habitual colonial techniques and mindset. Perhaps this is not true; we shall observe.
- - What was the nature of Russian colonialism (and did it exist, or were these willing brother nations, as Russians claim today)?
- - What is the nature of Russian colonialism (if it existed and if it persists), and how is it shaped by past versions?
This project will be started in May 2025 in Ukraine, showing the methods by which Russia built and maintained its Empire and hegemony from the days of Rus’ , the Tsardom and Soviet Empires to the present day.
- - To what extent is the current war a colonial extension?
- - How are the people of Ukraine affected by their relationship with Russia historically and today?
- - To what extent has Ukraine been artificially Russified, and is there any legitimacy in Russia’s explicit reasons for war?
All contacts and recommendations are appreciated.
In the UK and the West, the words ‘colonialism’ or ‘Imperialism’ are hardly associated with Russia. These are concepts of distant places of distinctive difference: it is obvious that India is not part of Great Britain, and that slave trading or exploitation of the Congo was wrong. But the former Russian Empire or Soviet Union seems contiguous, connected by land and with an apparent gradient of culture and history (a contrived construct much celebrated in Russia) to mask the parallel abuses of colonial rule, steeped in racist chauvinism and a cultivated disconnection from its own extreme violence.
In Georgia, Ukraine and the rest of the former Empire, colonialism is at the very heart of the problem they face. It is not a secret: this neo-Imperialism is the open policy of the ‘Russkii Mir’ (Russian World) official ideology adopted by Putin and the Russian Orthadox Church, and encouraged by the population.
The fight against the threat of this externally imposed oppression, violence and control is the prime driver behind the extreme desire to join the EU and NATO. Ignorance of this ongoing colonial experience, Western people and press talk cynically of financial betterment and emigration opportunities as their motivation, something deeply patronising, offensive and wrong when understood in this context. Like Trump promising financial gain to the Kremlin, it totally misunderstands the values and histories of these societies.
Using the work of an Imperial photographer documenting his territories and its peoples, we can revisit the history of the Russian Empire and Soviet Union and compare the overt colonialism of the 16th to the 20th centuries to the present Russian obsession with cultural, ethnic and violent hegemony. Shooting in Ukraine, I will explore the ways in which the Ukrainian people have overthrown their colonial masters’ expectations Using his same early colour process, I will look the ways in which Ukraine has resisted this oppression through the ages and the ways in which it can be seen in modern life.
Both our viewpoint and that of the Russian people have been systematically distorted by the reinterpretation and curation of history and the effects of Russia’s long oppression of its neighbours. This chauvinist, revanchist, habitual and conditioned thinking has enabled thousands of Russians to take up arms willingly. In the west, we have often presented this as ‘Putin’s war’, but it is not. It is supported and enabled by a people who see the world through a different filter, one of Russian dominance as a civilising and unifying benevolent force over their backward neighbours. It is the nature of colonial Empires that they result from decentralised ideology and interaction, coercion and cooperations with native people, just as was the case in the British Empire. It is this
Much has been written to support this, but the topic is necessarily long, often indigestible to the uninitiated, and frankly, from a Western point of view, is utterly baffling, stretching credulity to the point of farce. It is also desperately important that we in the West understand this.
I propose a visual method by which to succinctly encapsulate this, link the modern effects and signs of colonialism to their historic and ideological past. A photographic method makes the complexity of the issue much more accessible and opens the door to further understanding the worldview that glorifies the Ukrainians losing limbs and lives daily in the modern conflict and allows us in the West to understand why they fight so hard for an independence actively denied to them for centuries by their Russian Imperial masters. My conversations with people in the UK indicate that they have absolutely no idea why the Georgians and Ukrainians believe so strongly in the accession to the EU, a symbol of free and fair democracy, truth, respect and equality. It comes from the indignity and injustice of their own cultures taken over and defined by their subjugating neighbour for generations.
My illustration of this will use the aesthetic and methods of Prokudin-Gorsky, an Imperial Russian photographer, to flip this narrative. Using his historic imagery, a visual link to the history of colonial repression can be readily conveyed in the resulting photographs and thus shed light on the driving force of the troubles in the former colonies, from the Baltics to the Black Sea and Caucasus in a readily understood format.
Similar traits to those of Russian Imperial dominance can also be found in other authoritarian states around the world. Recognising them in Russia’s regions of abuse makes us more immune to them elsewhere.